Fantasy begins with an entirely empty stage, save for six actors standing. There are no props or traditional stage settings, and the director continuously gives instructions from behind the stage, saying, "Currently, Dobromir is playing a character embarrassed to dance to his favorite song." The actors, appearing under their real names, are mostly passive, leaving the unfolding events to the audience's imagination. Both actors and audience embrace this theatrical illusion, revealing the hidden norms and conventions of everyday life. This piece is closer to the minimalism and experimental choreography found in the works of Jérôme Bel than to traditional theater.